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Peter Munk and David Gilmour circa 1966

The late jazz legend Oscar Peterson inspects his new Project G (TC4)on the assembly line in Rexdale, Ontario

David Gilmour presenting a Project G to Hugh Fraser of Harrod's in London

'The Boys', Munk and Gilmour in a TV advert for the G-TV

For a decade, in the 1960s, Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak consoles to its minimalist logo and promotional materials, Clairtone produced a powerful and enduring body of design work.

Founded in 1958 by two young Canadians, Peter Munk and David Gilmour, the fledgling manufacturer of hi-fi and TV consoles quickly became known for its iconic designs and masterful advertising campaigns. The company employed some of the most talented designers and original thinkers working in Canada at the time––among them, Carl Dair, Dalton Camp, Chris Yaneff, and Hugh Spencer––who ensured that Clairtone used the wittiest copy, the latest typefaces, and the most up-to-date exhibit and signage systems.

Clairtone’s acclaimed Project G stereo, with its space-age styling, epitomized the Swinging Sixties. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra. Oscar Peterson affirmed that his music sounded as good on a G as it did live. In 1967, suggesting how deeply Clairtone’s G series had come to be identified with popular culture, the G2 appeared in The Graduate alongside Dustin Hoffman and Anne Bancroft.

For a decade, in the 1960s, Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak consoles to its minimalist logo and promotional materials, Clairtone produced a powerful and enduring body of design work.

Founded in 1958 by two young Canadians, Peter Munk and David Gilmour, the fledgling manufacturer of hi-fi and TV consoles quickly became known for its iconic designs and masterful advertising campaigns. The company employed some of the most talented designers and original thinkers working in Canada at the time––among them, Carl Dair, Dalton Camp, Chris Yaneff, and Hugh Spencer––who ensured that Clairtone used the wittiest copy, the latest typefaces, and the most up-to-date exhibit and signage systems.

Clairtone’s acclaimed Project G stereo, with its space-age styling, epitomized the Swinging Sixties. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra. Oscar Peterson affirmed that his music sounded as good on a G as it did live. In 1967, suggesting how deeply Clairtone’s G series had come to be identified with popular culture, the G2 appeared in The Graduate alongside Dustin Hoffman and Anne Bancroft.


Many thanks to the Design Exchange for the text!






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